"P.S." (Newmarket)
Lightweight romantic comedy about a recently divorced college admissions director (Laura Linney) who becomes involved in a passionate May-December romance with a young artist (Topher Grace) bearing an uncanny resemblance to her dead high school sweetheart. Dealing with issues of longing, loneliness and lost opportunities -- as well as some mystical musings on reincarnation -- the modest Manhattan love story directed by Dylan Kidd has all the elements of a good independent film, including a smart script and a top-notch ensemble, headed by Linney, Marcia Gay Harden and Gabriel Byrne. Yet taken as a whole, the film somehow adds up to less than the sum of its proficient parts. A sexual encounter and a few implied encounters, as well as recurring rough and crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted.

"The Pacifier" (Disney)
Embarrassingly unfunny comedy directed by Adam Shankman about a tough-guy Navy SEAL (Vin Diesel) assigned to baby-sit the five children of an assassinated government scientist while simultaneously searching their suburban home for their late father's top-secret computer program, with the fate of the free world -- and the Girl Scout cookie drive -- hanging in the balance. Clumsily acted and directed, this laugh-free riff on "Kindergarten Cop" reeks more than the many diapers its brooding star changes throughout the film. Some action violence, recurring crude and potty humor, occasional mild rude language, and several sequences of children in peril. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested.

"The Painted Veil" (Warner Independent)
Excellent film adaptation of W. Somerset Maugham novel set in the 1920s about an English bacteriologist (Edward Norton) who, after he learns of his bored socialite wife's (Naomi Watts) infidelity, vengefully insists she accompany him to a remote Chinese village during a dangerous cholera epidemic there, and how, over time, they establish a deep and abiding love, with the wife even volunteering to minister to the sick at the local hospital run by nuns. Lushly photographed on location, the film -- under John Curran's direction -- unfolds at a leisurely pace, but the intelligent love story at its core, and the spiritual journey and ultimate redemption for its heroine, are movingly conveyed, with impressive, nuanced performances by the leads, as well as by Diana Rigg, Liev Schreiber and Toby Jones. A brief scene of lovemaking with shadowy nudity, a flash of rear nudity, innuendo, adultery, images of the sick and dying, drug use and a few crass expressions. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

"Palindromes" (Wellspring)
Intriguing but, at times, highly disturbing film about a 13-year-old girl (alternately played by seven different actors of varying ages, races and genders, including Jennifer Jason Leigh) determined to have a baby, who, after her mother (Ellen Barkin) forces her to have an abortion, runs away from home and eventually winds up in a household of disabled children run by a cheery evangelical Christian (Debra Monk). Director Todd Solondz's bleak "comedy" mocks both sides of the abortion debate in equal measure without making their representative characters wholly unsympathetic, but the inclusion of candid depictions of what amounts to statutory rape and under-age sex are unsettling and egregiously unwarranted. Explicit though nongraphic sexual content, including pedophilia and sex between minors, brief violence and some rough and crude language. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. Not rated by the Motion Picture Association of America.

"Paparazzi" (20th Century Fox)
Problematic revenge thriller about a rising action star (Cole Hauser) who exacts retribution on the sleazy tabloid photographers (led by Tom Sizemore) responsible for causing a Princess Diana-type car accident which nearly killed his wife (Robin Tunney) and young son. As directed by Paul Abascal, the subtly sadistic film seems more concerned with its sensationalized "Death Wish"-like premise, than with actually saying anything of substance about the public's obscene fascination with celebrities' private lives. The movie's underlying twisted sense of justice is only compounded by its morally troublesome ending. Vigilante violence, murder without consequence and a scene in a strip club, as well as scattered crude language and humor. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13.

"Party Monster" (Strand)
Cautionary biopic charting the meteoric rise and subsequent fall of club kid-leader-turned-cold-blooded-killer Michael Alig (Macaulay Culkin), a notorious New York party promoter arrested in 1998 for murdering his drug dealer. Directed by Fenton Bailey and Randy Barbato, the movie proves that all that glitters isn't gold, painting a tragic portrait of self-destructive behavior, at times both darkly humorous and disturbing to watch. Pervasive drug abuse, brief graphic violence, an implied homosexual encounter, several instances of partial rear nudity, as well as much rough and crude sexual language. The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. Not rated by the Motion Picture Association of America.

"The Passion of the Christ" (Newmarket)
Unflinching dramatization of the final agonizing hours of the earthly life of Jesus Christ (Jim Caviezel), from the garden of Gethsemane to his crucifixion and resurrection, intercut with flashbacks to his childhood and public ministry. Although the film's brutality poignantly conveys the depth of Christ's love by showing him freely enduring such extreme agony for the redemption of all sinners, the graphic nature of the raw visuals is played to diminishing returns. Following the basic outline of the Gospel Passion narratives, director Mel Gibson embroiders his interpretive retelling of Scripture with extrabiblical sources as well as his own imagination, to craft an at times profoundly moving movie which succeeds in stripping Christ's sacrificial suffering of its Sunday school sugar-coating. While it is the film's assertion that responsibility for Christ's torture and death rests squarely with the Roman authorities, and away from the collective Jewish populace, the movie presents a historically skewed depiction of the Temple elite's sway with their imperial overlords. Subtitles. Gory scenes of torture and crucifixion, a suicide and some frightening images. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted.

"The Passion Recut" (Newmarket)
Toned-down, yet still brutal, re-editing of Mel Gibson's unflinching, at times profoundly moving, dramatization of the final agonizing hours of Jesus' earthly life -- as portrayed by Jim Caviezel -- from arrest to crucifixion and resurrection. The slightly tamer revision is missing roughly six minutes of the movie's bloodiest scenes -- specifically the scourging and crucifixion sequences -- softening the film's graphic nature a bit without eviscerating its emotional and spiritual poignancy. Even with the cuts, however, the cumulative effect is still too intense for young children and those sensitive to violence, though perhaps some parents may now feel it appropriate for older adolescents. Subtitles. Gory scenes of torture and crucifixion, a suicide and some frightening images. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America. A full review of "The Passion of the Christ" can be found on the Web at: www.usccb.org/movies/index.htm, by clicking on "Archived Movie Reviews," or at: www.catholicnews.com/data/movies/04mv276.htm.

"Passionada" (Goldwyn)
Sweet romance set in a New England Portuguese-American fishing community where a former card shark (Jason Isaacs) lies about his past to the devout widow (Sofia Milos) he has fallen for even as her daughter (Emmy Rossum) insists he teach her card counting in exchange for encouraging her mom to date him. Director Dan Ireland blends humor and torch songs into a modestly charming tale of second chances and love's healing powers. An implied affair. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13.

"Pathfinder" (Fox)
Relentlessly violent tale about a shipwrecked Viking lad taken in and raised by a Native American tribe, until 15 years later when now as an adult he (Karl Urban) sets out, virtually single-handedly, to exact revenge on returning Vikings who have slaughtered his adopted tribe and are bent on killing every other tribe in their path so as to lay claim to the land. Director Marcus Nispel's video gamelike movie eschews character development as well as narrative logic in a drawn-out series of brutal beheadings, impalements and eviscerations that overwhelm the intriguing premise of the legendary Norsemen arriving on American shores many centuries before Columbus. Excessive violence and gore. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

"Paycheck" (Paramount)
Forgettable sci-fi action thriller about a high-tech wizard (Ben Affleck) who, after working on a top-secret project for a shadowy corporation (run by Aaron Eckhart), has the past three years of his memory erased, only to find himself in the cross hairs of federal agents and corporate assassins, with just an envelope full of everyday items as clues to piecing together the puzzle of his past, which he deciphers with the help of a beautiful scientist (Uma Thurman) to whom he learns he is engaged. Despite an intriguing premise based on a story by cyber-pulp icon Philip K. Dick which explores the consequences of technology unfettered by morality, the film, directed by John Woo, never kicks into gear thanks primarily to its miscast lead, lackluster action sequences and preposterous plot twists which test viewers' suspension of disbelief to the breaking point. Don't waste your paycheck. Recurring action violence and brief crude language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13.

"Perfume: The Story of a Murderer" (Paramount/DreamWorks)
Deeply disturbing but hypnotic story set in 18th-century France about an orphan (Ben Wishaw) -- impoverished and abused but gifted with an extraordinary sense of smell -- who apprentices to a perfumer (Dustin Hoffman), after which -- incapable of normal love -- he becomes a serial killer in his quest to capture the scents of his young female victims, ultimately targeting the virginal daughter (Rachel Hurd-Wood) of a wealthy merchant (Alan Rickman) desperate to protect her. Director Tom Tykwer's artful adaptation of Patrick Suskind's 1985 best-seller shows sensitivity in telling a story which could be utterly repellent in other hands, and without justifying the terrible deeds, succeeds in illuminating the protagonist's strange motivation with Christian compassion. Reasonably restrained in its violence, the film will clearly not be to every taste and should be approached with caution. Aberrant violence including murder and bloodshed, partial nudity, an unflattering ecclesiastical character, and a climax involving mass eroticism with long-shot nudity. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

"People I Know" (Miramax)
Disappointing thriller about a washed-up New York celebrity publicist (Al Pacino), unwittingly entangled in a deadly web of murder and deceit among Gotham's movers and shakers. Director Dan Algrant's noirish foray into the shadowy world of glamour and politics borrows generously from earlier conspiracy yarns, but flounders as a result of a disjointed, hackneyed narrative and an at times hammy lead performance. Minimal violence, recurring drug abuse, rough language and vulgarities as well as brief sexual images and fleeting nudity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted.

"The Perfect Score" (Paramount)
Below-the-bell-curve teen heist comedy about six high school students (including Erika Christensen and Scarlett Johansson) who conspire to break into a SAT testing center and steal the answers to their upcoming college entrance exams and in the process transcend their differences on the road to self-discovery. While its attractive cast may click with some young viewers, director Brian Robbins' film won't score points with parents, who may find its casual attitude toward marijuana usage and morally ambiguous view of cheating more than a bit off-putting. An instance of rough language, as well as some crude language, sexual humor and innuendo and several drug references. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13.

"Peter Pan" (Universal)
Enchanting live-action version of J.M. Barrie's timeless fairy tale about a precocious British girl (Rachel Hurd-Wood) who travels with the title imp (Jeremy Sumpter), a mischievous boy who refuses to grow up, to Neverland, a magical realm of eternal adults-free fun where they must cross swords with the black-hearted Captain Hook (Jason Isaacs), who is obsessed with exacting revenge on Peter. Directed by P.J. Hogan and combining sumptuous storybook visuals and timeless themes about love and lost childhood, there is little in this Peter to pan. Some action violence and a few frightening images. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested.

"The Phantom of the Opera" (Warner Bros.)
Opulent film version of Andrew Lloyd Webber's long-running musical about the disfigured madman in an 1870 opera house in Paris, the young soprano whom he coaches from behind her dressing room mirror, and the young count who loves her. Joel Schumacher's film is visually magnificent, and the lush soundtrack offers a fine earful, but the Phantom (Gerard Butler) is portrayed as too much the handsome Byronic hero to be truly terrifying, Christine (Emmy Rossum) is beautiful but dolefully impassive, and Raoul (Patrick Wilson) bland, with unconvincing lip-syncing that detracts from the drama. Miranda Richardson, Minnie Driver, Simon Callow and Ciaran Hinds excel in supporting roles. Fleeting rear nudity by a background extra, a few coarse words and some violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13.

"Phone Booth" (20th Century Fox)
Shrill thriller in which an obnoxious publicist (Colin Farrell) is trapped in a Manhattan phone booth by a deadly sniper who kills a pimp outside the booth and next threatens to kill a cop (Forest Whitaker) on the scene and the man's wife (Radha Mitchell). Farrell's performance holds director Joel Schumacher's vigilante-themed cautionary tale together, although the barrage of abominable language diminishes the moral about personal honesty. Intermittent violence, crass sexual references, constant rough language and recurring profanity. The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is R -- restricted.

"Pieces of April" (MGM)
Tender drama about a young woman (Katie Holmes) who, at the promptings of her live-in boyfriend (Derek Luke), tries to mend the tattered relationship with her cancer-stricken mother (Patricia Clarkson) by hosting Thanksgiving dinner at her dilapidated New York City tenement, only to discover that her oven is not working. While at first glance the simple premise appears not to have enough narrative stuffing to prove engaging, director Peter Hedges serves up an emotionally satisfying meal, imparting a positive message about family and forgiveness. Some rough and crude language, a few instances of profanity, a scene involving marijuana, as well as some images of nudity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13.

"Pierrepoint: The Last Hangman" (IFC)
Well-made British film argues against capital punishment by telling the true story of one of England's most prolific executioners, Albert I. Pierrepoint, staunchly portrayed by talented character actor Timothy Spall. Director Adrian Shergold generally avoids sensationalism when depicting Pierrepoint's grim stock in trade, but the morally correct treatment becomes somewhat heavy-handed when the narrative takes an unbelievable turn that solidifies Pierrepoint's growing disillusionment with his duties. Numerous nongraphic hangings, a mostly clothed adulterous encounter, full frontal female and rear male nudity involving corpses, a few instances of crass language. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

"Pirates of the Caribbean: At World's End" (Disney)
Generally listless third leg of blockbuster voyage has Elizabeth (Keira Knightley), Will (Orlando Bloom) and Barbossa (Geoffrey Rush) bringing Jack Sparrow (Johnny Depp) back from the dead before leading a rainbow coalition of pirates against the tyrannical forces of the East India Company. Evidently director Gore Verbinski and crew ran out of cinematic provisions while making this talky, mirth-free installment; its splintered story line and lack of swashbuckling action suggest fatigue, which allowed the creative equivalent of scurvy to set in. Recurring action-adventure violence and peril, including hangings and characters run through with swords; fondling and kissing of a bare female leg; suggestive humor and innuendo; voodoo incantations; and a crude expression. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

"The Pirates Who Don't Do Anything: A VeggieTales Movie" (Universal)
Breezy computer-animated children's adventure in which a trio of self-doubting anthropomorphized vegetables (one voiced by Mike Nawrocki, the others by Phil Vischer) who work at a pirate-themed dinner theater get the chance to prove their mettle when they're transported back in time and given the chance to save a prince (Yuri Lowenthal) and princess (Laura Gerow) from the nefarious designs of their power-hungry uncle (Cam Clarke). Nawrocki, who also directed, creates a wholesome, thoroughly enjoyable film which, despite some technical limitations, manages to convey its message about the real nature of heroism quite effectively. Some mild bathroom references. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted.

"Pokemon Heroes" (Miramax)
The fifth installment of the series of Japanese animated films based on the popular Pokemon trading cards and video game craze, this silly clunker finds the young Pokemon hero and his robo-pet, Pikachu, saving a Venice-like city from certain doom when mischievous thieves steal its sacred jewel. Despite themes of friendship, courage and self-sacrifice, the film, directed by Kunihiko Yuyama and Jim Malone, is little more than an extended commercial for Pokemon products, and while it might rate a thumbs-up from young fans adults will find it a snore. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences.

"Pooh's Heffalump Movie" (Disney)
Delightfully sunny animated feature in which Winnie the Pooh (voiced by Jim Cummings) and his pals -- Tigger, Piglet, Eeyore, Rabbit and Roo -- set out to capture a Heffalump, a much-feared creature who has invaded their home in the Hundred Acre Wood, and wind up learning a valuable lesson about treating those who are different with kindness. Director Frank Nissen stays true to the gentle spirit of A.A. Milne's beloved storybook tales, combining traditional hand-drawn animation with a buoyant score -- including songs by Carly Simon -- to create a heartwarming parable about friendship and acceptance, which is as welcome as a tummy full of honey. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audience.

"The Prestige" (Touchstone/Warner Bros.)
Convoluted thriller about rival magicians (Christian Bale and Hugh Jackman) in Victorian England who stop at nothing to sabotage (and steal the trade secrets of) the other after the accidental death of the latter's wife during a theatrical stunt. Director Christopher Nolan's adaptation of Christopher Priest's novel is, thanks to the self-serving characters, more unpleasant than intriguing and all the double-dealing grows tiresome, despite the flair of the two leads and the estimable support of Michael Caine as a retired conjurer and Scarlett Johansson as the romantic love interest of both. Some violence, including drownings, a suicide and a hanging, and some crass words. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

"Prey for Rock and Roll" (MAC)
Raw drama about the trials and tribulations of an aging rock musician and lead singer (Gina Gershon) of a Los Angeles-based all-girl band who is still looking to break into the big time. Melodramatic plot machinations and cliched views about aging in the young world of rock 'n' roll keep director Alex Steyermark's film stalled despite strong performances, while a casual presentation and acceptance of both the lesbian and bisexual lifestyles are off-putting. Some sexual encounters including a same-sex scene, brief violence, intermittent drug abuse and recurring rough language. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted.

"Pride" (Lionsgate)
Inspirational true-life tale, circa 1971, about a coach (Terrence Howard) who forms a swim team at a dilapidated Philadelphia community house, demonstrating to the African-American youths that, despite the poverty and crime around them, they can compete with privileged teens both in the pool and in the world. The emotion-tugging efficiency of director Sunu Gonera, a veteran of Coca-Cola and Nike commercials, serves this period piece well, briskly hitting all its marks about hope, teamwork, believing in oneself and overcoming adversity. A small amount of crude and crass language (including two instances of the n-word), a couple of scuffles and some vague threats of violence. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.

"Primer" (ThinkFilm)
Dallas-area writer-director Shane Carruth's low-budget sci-fi mindbender about a pair of young brainiacs (Carruth and David Sullivan), who -- while working out of their garage, trying to come up with the next "big" thing -- discover that the gizmo they invented can be used as a time machine, which they exploit to their advantage, leading to unforeseen consequences. Despite an intriguing conceit and edgy, no-frills look, the film is weighed down by its indecipherable plot and cryptic techno-babble dialogue which will leave many viewers scratching their heads. Some crude language. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13.

"Primeval" (Hollywood Pictures)
Bloody action thriller about an American television news crew (Dominic Purcell, Brooke Langton and Orlando Jones) dispatched to a civil-war ravaged African nation to report on a giant crocodile terrorizing the locals and to bring the beast back alive with the help of a seasoned hunter (Jurgen Prochnow) and an Australian reptile expert (Gideon Emery). Allegedly inspired by true events, director Michael Katleman's mostly suspense-free "Jaws" rip-off is undone by schlocky effects and a script that tries to wedge social-conscience commentary into its B-movie plot. Much gory violence, grisly images, recurring rough and crude language and some sexual humor. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

"The Prince and Me" (Paramount)
Breezy but bland fairy-tale romance about a workaholic University of Wisconsin pre-med candidate (Julia Stiles) who falls for a charming exchange student (Luke Mably) only to discover he is actually the crown prince of Denmark. Director Martha Coolidge's cliche-riddled romance has a sweet storybook premise, which eventually gives way to a postmodern twist on the happily-ever-after ending. Some crude language and humor, mild sexual situations and a casual attitude toward student drinking. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested.

"The Princess Diaries 2: Royal Engagement" (Disney)
Sweet but stale sequel about a young American (Anne Hathaway) who, in preparing to ascend the throne of a small European kingdom, learns that she cannot become queen until she is married, leaving her 30 days to find a groom before she must forfeit the crown to her royal rival, a dashing prince (Chris Pine) with whom she falls in love. As directed by Garry Marshall, the wholesome-toned tale is full of Cinderella-like romance sure to enchant its targeted audience of pre-pubescent princess-wannabes, but which may make older viewers pull a Sleeping Beauty. Some thematic elements and a few brief kissing scenes. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences, all ages admitted.

"The Punisher" (Lions Gate)
Boring and gleefully violent tale of a retired undercover FBI agent (Thomas Jane) whose whole family is murdered, prompting him to reciprocate by methodically setting out to kill the mobster responsible (John Travolta), his wife, best friend, associates and assorted assassins who fail to stop the relentless vigilante. In absurdly pretentious fashion, director Jonathan Hensleigh simply strings together a series of brutal executions as the title character from the Marvel comic books is depicted as a heroic dispenser of justice. Excessive, gory violence, rationalization of lethal vengeance, sporadic rough language and minimal profanity. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted.

"The Pursuit of Happyness" (Columbia)
Feel-good tale based on the true story of a selfless medical supply salesman (an ever-appealing Will Smith) who, after his wife (Thandie Newton) walks out, raises his 5-year-old son (Jaden Christopher Syre Smith) on his own while pursuing a new career path as a stockbroker in an unpaid internship while enduring financial struggles, homelessness and other vicissitudes. A bit long and occasionally repetitive, but there's a lump-in-the-throat payoff, and director Gabriele Muccino's film scores high on the inspirational message scale, with Smith's character doing all he can to nurture his son under trying circumstances and projecting admirable decency throughout. A few instances of crude language and marital discord. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. 

"The Queen" (Miramax)
Absorbing British drama about the days following the death of Princess Diana, as new Prime Minister Tony Blair (Michael Sheen) tries to convince Queen Elizabeth (Helen Mirren) to express public remorse about her former daughter-in-law, as public grief reaches fever proportions. Stephen Frears directs beautifully, and even if Peter Morgan's script is mostly speculative, what we see on-screen plays convincingly, with a fine cast (including Alex Jennings, Helen McCrory and Roger Allam) and Mirren whose crusty yet vulnerable impersonation softens the anti-monarchist tone of the screenplay. A couple of instances of mild profanity and a few crass expressions. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

"Racing Stripes" (Warner Bros.)
Delightful family comedy about an underdog zebra (voiced by Frankie Muniz) who grows up believing that he is a racehorse and proves he has the heart of a champion by finding his inner thoroughbred and -- with a little help from a former horse trainer (Bruce Greenwood), his young daughter (Hayden Panettierre) and some barnyard buddies (voiced by Whoopi Goldberg and Dustin Hoffman, among others) -- competing for top racing honors in a prestigious derby. Directed by Frederik Du Chau, this lively crowd-pleaser combines live action and computer-generated talking animal effects -- think "Seabiscuit" meets "Babe" -- and imparts a charming feel-good message about acceptance and overcoming challenges by believing in yourself. Ethnic stereotyping and some mildly crude language and humor. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parents guidance suggested.

"Radio" (Columbia)
Moving portrait of a friendship which develops between a respected high school football coach (Ed Harris) and a mentally challenged young man (Cuba Gooding Jr.) that changes their lives and transforms their small Southern town. Director Mike Tollin's touching film, set in 1976, emphasizes the great impact one person can make by extending himself for the good of another. Yet despite fine performances and an inspiring story, the narrative flags, idling until its predictable ending. A scene of menace and some crass words. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested.

"Rails & Ties" (Warner Bros.)
Intimate, moving drama in which a terminally ill woman (Marcia Gay Harden) and her emotionally repressed railroad engineer husband (Kevin Bacon) find their failing relationship revived when they surreptitiously shelter a boy (Miles Heizer) whose mentally ill single mother (Bonnie Root) committed suicide by parking in front of the husband's train. Director Alison Eastwood, in her first feature, balances a plot that tugs shamelessly at every heartstring with an understated approach that generally forestalls sentimentality. Problematic religious elements, upper female nudity, tense accident scene, one use of the f-word, two crude words, one crass term and one use of profanity. Acceptable for older teens. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

"Raising Helen" (Touchstone)
Pleasant enough story about a spirited single gal (Kate Hudson) who is given custody of her nieces and nephew (Hayden Panettiere, Abigail Breslin and Spencer Breslin) when her sister unexpectedly dies in a car accident, forcing the career-minded young woman to re-evaluate her priorities. Despite some endearing, funny moments and a cast that charms, director Garry Marshall's lightweight film isn't able to strike a balance between comedy and drama, resulting in mediocre fare. Brief, mild sexual innuendo, implied underage drinking and a few instances of crass language. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13.

"Ratatouille" (Disney/Pixar)
Delectable animated tale of a cute rat (voiced by Patton Oswalt) who, inspired by the spirit of a famous late chef (Brad Garrett), develops his improbable passion for cooking by becoming the secret adviser to an esteemed Paris restaurant's hapless garbage boy (Lou Romano), turning the latter into a star chef, while the eatery's jealous head chef (Ian Holm) contrives to uncover the secret of the boy's success. Writer-director Brad Bird's gorgeously animated production has a rare sophistication that should entertain adults as much as their children, while the messages of teamwork, honesty and following one's dreams are strongly conveyed. Subtle implication of a character born out of wedlock. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted.

"Ray" (Universal)
Jamie Foxx gives a bravura performance as Ray Charles, in this superior biographical film which traces the legendary singer's life, from childhood and early blindness in rural Florida to his rise from obscure pianist to chart-topping superstar, as he battles heroin addiction and navigates his solid home life with romantic liaisons on the road. Foxx's impersonation is amazingly accurate, but the entire cast is first-rate, and Taylor Hackford's direction seamlessly melds the satisfying, often exciting, musical numbers with the solid dramatic aspects of the story, which ends on an inspirational note in 1966 with Charles conquering his drug dependence. A handful of crude and profane words, sexual innuendo, racial epithets, drug use and discreet sexual situations. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13.

"The Real Cancun" (New Line)
Sixteen uninhibited college-aged students are given free rein of a beachfront resort in Cancun during spring break. Mary-Ellis Bunim and Jonathan Murray take the reality TV craze to the next level, resulting in a repellent orgy of drunken frat-house debauchery and hedonistic promiscuity. Glamorizing attitude toward casual sex, recurring raunchy sexual situations with nudity, incessant alcohol abuse, excessive rough language, as well as vulgarities and lewd, sexually explicit language. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted.

"The Reaping" (Warner Bros.)
Former minister (Hilary Swank) whose family was killed several years before while doing missionary work in Africa is now a nonbelieving university professor called upon to investigate strange happenings mirroring biblical plagues in the Louisiana swamplands, after a river turns to blood and a strange child (AnnaSophia Robb) is blamed for her brother's horrific death. A first-rate locust attack and some creepy river sequences notwithstanding, director Stephen Hopkins' horror fest is more silly than scary, with a disjointed plot and choppy camerawork, while the putative religious elements, including discussions about faith and a priest (Stephen Rea) who tries to warn the professor that she's (gasp) "in danger," are hardly inspirational. Some intense horror effects, killings, blood, images of sick and dead people, a nongraphic sexual encounter, mild innuendo and facts-of-life discussion, a few rough and crude expletives and brief profanity, and many deceased cows and frogs. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

"The Reckoning" (Paramount)
Well-crafted medieval mystery about a fugitive priest (Paul Bettany) on the run for sins of the flesh who, after falling in with a traveling troupe of actors (led by Willem Dafoe), stages a play about an unspeakable crime in order to prove the innocence of the woman charged with the murder and expose the real culprit. While painting church authorities in villainous shades, the film, directed by Paul McGuigan from a novel by Barry Unsworth, poses profound theological questions concerning justice, good and evil, faith and doubt, fate and free will. A sexual encounter involving a priest, recurring violence and autopsy images. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted.

"Red Lights" (Wellspring)
Taut, compelling and very creepy thriller based on a Georges Simenon novel about an insurance salesman (Jean-Pierre Darroussin) and his lawyer wife (Carole Bouquet) traveling on the highway to pick up their children from camp. Their bickering leads the wife to abandon her increasingly inebriated husband who then gives a lift to a man (Vincent Deniard) who may be a dangerous wanted fugitive. Director Cedric Kahn maintains an unnervingly desolate and unsettling mood while Darroussin gives a brilliant performance as the emotionally wrecked husband, making this as much an incisive character study as a superior suspense film. Subtitles. A smattering of crude language and two violent episodes. The USCCB Office for Film & Broadcasting classification is A-III -- adults. Not rated by the Motion Picture Association of America.

"Reign Over Me" (Columbia) 
Singularly offbeat, albeit poignantly etched, buddy film about a successful dentist (Don Cheadle) who meets up with and tries to rehabilitate his college roommate (Adam Sandler), once a dentist himself and now sadly childlike, suffering from post-traumatic stress disorder as a result of his wife and children perishing Sept. 11, 2001, and in the process comes to terms with some of his own emotional issues. Writer/director Mike Binder's drama is well-intentioned, and Sandler pulls off a difficult part with distinction, but the script is paradoxically original yet formulaic with often implausible character motivation, though the 9/11 theme and Sandler's heart-wrenching character tug at the emotions. Pervasive rough and crude language and occasional profanity, some forthright and crass sexual discussion, and emotional outbursts. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

"Rendition" (New Line)
Quietly intense thriller about a wife's (Reese Witherspoon) efforts to discover the whereabouts of her Egyptian-born husband (Omar Metwally) who has been abducted by the U.S. government upon returning to the States from a business trip, and taken to an unspecified North African country where he is tortured and interrogated as a suspected terrorist, while a novice CIA analyst (Jake Gyllenhaal) is given the task of monitoring the case. Director Gavin Hood raises valid questions about the government's use of this abduction procedure called "extraordinary rendition" in combating terrorism, yet the ambiguity about the Egyptian character is frustrating, and a time twist at the end seems rather pointless, but the film is absorbing throughout, and Meryl Streep has a good role as the CIA honcho who orders the arrest. Torture, shadowy partial and rear nudity, a nonmarital relationship, brief profanity, and a suicide bombing with bloodshed. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

"Reno 911!: Miami" (Fox/Paramount)
Ultraraunchy, big-screen version of the Comedy Central cable-TV series has the bumbling deputy sheriffs from Reno (Robert Ben Garant, Thomas Lennon and Kerri Kenney-Silver) traveling to Miami for a police convention. Due to an act of bioterrorism that confines all the real cops to the meeting hall, the eight hapless officers are forced to patrol Miami's sun-drenched streets and must deal with a beached whale, a drug kingpin and their own perverse sexual tendencies. Amazingly, they save the day; yet watching the warped crudity on parade is too high a price to pay for justice in director and co-writer Garant's putative comedy. Pervasive vulgar language, nudity, sex acts, masturbation, scatological humor, episodes of cartoonish violence and drug use. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

"Rescue Dawn" (MGM)
Uplifting film salutes the valor of rank-and-file military personnel by chronicling the real-life ordeal of German-born U.S. Navy pilot Dieter Dengler (Christian Bale), who was shot down over Laos in 1966 and taken prisoner by soldiers allied with the North Vietnamese. Without hyperbole of any kind, German writer-director Werner Herzog presents a vivid, lyrical portrait of a courageous and compassionate man whose dream of becoming an aviator led him to America and then to the forbidding jungles of war-torn Southeast Asia. Powerful but nongraphic scenes of violence and torture, some crude language and profanity, some locker-room-style banter and scatological references appropriate to the context. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.


"Resident Evil: Apocalypse" (Screen Gems)
Mindless action/horror sequel taking up where the first film left off, as a ragtag handful of survivors (led by Milla Jovovich, genetically enhanced with superhuman powers this time around) fight their way to safety after the deadly virus unleashed in the first film escapes underground containment, turning the infected surface population into flesh-eating zombies. Based on the ultraviolent video game and directed by Alexander Witt, this "Dawn of the Dead" clone is devoid of anything remotely resembling narrative, character or redeeming moral value, opting instead for nonstop, gratuitous carnage. Excessive graphic violence, desecration of religious objects and brief partial nudity, as well as recurring rough language and profanity. The USCCB Office for Film & Broadcasting classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted.

"Resurrecting the Champ" (Yari Film Group)
Compelling film, based on true events, about the evolving friendship between a young sportswriter (Josh Hartnett) and a homeless former boxing champ (Samuel L. Jackson) which forces the writer to take a fresh look at himself and to reevaluate his basic relationships, including those with his wife (Kathryn Morris) and son (Dakota Goyo), and the troubling memory of his deceased father. Director Rod Lurie's deeply moving -- as well as moral -- film features morally complex characters who experience redemption, an excellent script, and outstanding performances, though the boxing sequences may prove disturbing to those with a low tolerance for the sport. Occasional vulgarity and profanity, boxing violence including one sequence with blood, skimpy costuming and suggestive movements, public urination and images of a disturbing body scar. The USCCB Office for Film & Broadcasting classification is A-III -- adults (though it's probably acceptable for most older teens). The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

"The Return" (Rogue)
Bland supernatural thriller about a young woman (Sarah Michelle Gellar) who returns home to Texas where she is tormented by fragmented memories of a brutal crime that took place years earlier. It involved a town loner's (Peter O'Brien) murdered wife with whose restless spirit she is somehow connected. Director Asif Kapadia neatly ties up all the loose ends, but the payoff isn't worth the slog through the dragging and muddled plot that lacks much suspense. Some violence, brief blurred sexual images, suggested self-mutilation, one use of the f-word, a few crude expressions and instances of profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

"The Return" (Kino International)
Melancholy Russian production about a terse father (Konstantin Lavronenko) who suddenly returns to his family after an unexplained absence of 12 years, taking his young sons (Ivan Dobronravov and Vladimir Garin) on an apparent fishing trip that takes a dramatic turn when the boys object to his callous treatment. The gloom of director Andrey Zvyagintsev's odd, thriller-like tale is offset by intriguing character studies of the trio, nuanced performances and an unexpected finale. Subtitles. Contentious family relationships and a couple of crass expressions. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. Not rated by the Motion Picture Association of America.

"The Ring Two" (DreamWorks)
Stylish and scary, but less than satisfying, sequel to the 2002 sleeper horror hit, which finds investigative reporter Rachel Keller (Naomi Watts) and her young son, Aidan (David Dorfman), relocating from Seattle to a coastal Oregon community only to have their hopes of a fresh start shattered when a "cursed" videotape -- which, causes certain death seven days after being viewed -- forces Rachel to plumb deeper into the mystery surrounding Samara, a murdered child whose vengeful spirit is set on Aidan. Directed by Hideo Nakata -- who also directed the Japanese fright films on which these American remakes are based -- this one relies less on psychological suspense than special-effect centerpieces, and, despite visual creepiness and some goose bumps, lacks the overall sharpness and originality of the first. Recurring frightening images, some disturbing violence involving child peril, an instance of rough language, and some crude and profane expressions. The USCCB Office for Film & Broadcasting classification is A-III --- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13.

"Robots" (20th Century Fox)
Technically dazzling but disappointingly formulaic animated feature about would-be inventor robot Rodney's (Ewan McGregor) coming of age, as he leaves his parents to make his mark in far-off Robot City and joins forces with master inventor Bigweld (Mel Brooks) and some misfit robot friends to help defeat the evil Madame Gasket (Jim Broadbent) and her power-hungry son, Ratchet (Greg Kinnear), who are consigning "outmoded" robots to the scrap heap rather than equipping them with new parts. Chris Wedge's overly busy follow-up to "Ice Age" is further undermined by a merely serviceable script that substitutes some needlessly vulgar humor and a pat follow-your-dream sentiment for true wit and originality. Despite the all-star voice cast, including Halle Berry, Drew Carey and Amanda Bynes, the "bots" fail to have really distinct personalities -- their mechanized body parts allowing only limited expression -- and even Robin Williams seems subpar in this setting. Some questionable humor and innuendo and crass expressions. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested.

"The Rocker" (Fox Atomic)
Musical adventures of a likable lunkhead (Rainn Wilson) who, 20 years after being dumped by his band mates just before they catapulted to stardom, gets a second chance at fame when he joins a group made up of his socially challenged nephew (Josh Gad), a too-cool-to-smile guitarist (Emma Stone) and an angst-ridden singer-songwriter (Teddy Geiger), his bond with the last being strained by a budding romance with the lad's mother (Christina Applegate). Director Peter Cattaneo's sporadically funny comedy touches on themes of maturity and reconciliation and, though its values are somewhat hedonistic, this is largely a matter of talk, since Mom goes on tour as chaperone. Brief rear nudity, nonmarital cohabitation, sexual and scatological humor, one use of the f-word and some crass language, and drug and venereal disease references. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

"Rocket Science" (Picturehouse)
Quirky and sublime first-love dramedy about a stuttering young high-school boy (Reece Daniel Thompson) and the driven debating champ (Anna Kendrick) who to his surprise wants him as her debate-partner protege. Writer-director Jeffrey Blitz, without being preachy or obvious, shows us how family can come through when you least expect it, and how sometimes we can become better by going through what seems like the absolute worst. One instance each of rough language and profanity, several instances of crude and crass language, three scenes of young teens smoking or drinking, rude gestures, brief nudity in classical-art drawings, some pubescent sex talk, much debate-club discussion of abstinence policies and one instance each of implied sexual groping and off-camera sex sounds, both by adult characters. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

"Rocky Balboa" (MGM)
Sixth and ostensibly final round in the "Rocky" saga, in which former heavyweight champ Rocky Balboa (Sylvester Stallone), now a widower, estranged from his son (Milo Ventimiglia) and running a restaurant, comes out of retirement, stepping into the ring against the current champ (Antonio Tarver) to prove he has plenty of heart left in his aging body. Written and directed by Stallone, this new chapter is arguably the best in the series since the 1976 original, emphasizing character and emotional drama over fight action, while imparting an inspirational message about perseverance and giving it your all, win or lose. Some bloody boxing violence and a few mildly crude expressions. The USCCB Office for Film & Broadcasting classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.

"Rory O'Shea Was Here" (Focus)
Elevating drama set in Ireland about a young resident at a home for the disabled (Steven Robertson) suffering from severe cerebral palsy whose life is changed when he befriends a rebellious new arrival (James McAvoy) -- also confined to a wheelchair -- who teaches him about friendship, love and independence and instills in him a zest for living. Superbly crafted by director Damien O'Donnell, this well-acted, life-affirming gem is alternately funny, moving and uplifting and imparts an impassioned message that life is full of possibilities, even when it seems otherwise. Frequent rough and crude language and some sexual innuendo. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is R -- restricted.

"Rugrats Go Wild" (Paramount)
Entertaining animated sequel pairing the characters of Nickelodeon's two most popular TV series -- "Rugrats " and "The Wild Thornberrys" -- who find themselves marooned together on a deserted tropical island full of adventure and danger. Directed by Norton Virgien and John Eng, and imparting a strong message about family values, the film packs enough punch to engage young viewers, as well as adults along for the ride. The USCCB Office for Film & Broadcasting classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences.

"Run Fatboy Run" (Picturehouse)
Quirky romantic comedy in which a likeable British twit (Simon Pegg), despite being out of shape, must complete a marathon in order to regain the respect of his ex-fiancee (Thandie Newton), thwart her obnoxious boyfriend (Hank Azaria), vindicate the confidence shown by his trusting landlord (Harish Patel) and safeguard a friend who has rashly bet on him (Dylan Moran). Despite some errant, occasionally outrageous humor and a familiar story arc, actor David Schwimmer's directorial debut has enough sparkle and eccentricity to make it past the finish line. Two scenes of rear nudity, implied premarital sex, one use of the f-word, some crude and crass language, one profanity, obscene gestures, sexual and scatological humor, a violent fight and a transsexual character. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

"Runaway Jury" (20th Century Fox)
Middling courtroom drama based on the John Grisham novel in which a juror (John Cusack) and his girlfriend (Rachel Weisz) conspire with both sides (as played by Gene Hackman and Dustin Hoffman), offering to buy the verdict in a lawsuit against a gun manufacturer. Despite director Gary Fleder's fast-paced visuals, the thin characterizations aren't emotionally involving nor is the all-too-pat and morally flawed resolution credible. A cynical view of the legal system, some violence and minimal rough language and profanity. The USCCB Office for Film & Broadcasting classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13.

"The Rundown" (Universal)
Sporadically entertaining action comedy about a brawny bounty hunter (Dwayne "The Rock" Johnson) with a conscience, who signs up to bring his kingpin boss' son (Seann William Scott) back from the Amazon, and along the way gets entangled in a search for a priceless ancient Mayan artifact. Despite the on-screen buddy chemistry between Johnson and Scott, the film, directed by Peter Berg, suffers from a limited repertoire of jokes, all leading to the same, tired, gratuitously violent punch line. Recurring action violence and some crude language. The USCCB Office for Film & Broadcasting classification is A-IV -- adults, with reservations. The Motion Picture Association of America rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13. 

"Running With Scissors" (TriStar)
Author Augusten Burroughs' best-selling memoirs about his wildly unconventional adolescence during which his mentally fragile mother (Annette Bening), estranged from her husband (Alec Baldwin), sent the boy (Joseph Cross) to be raised by her quack psychiatrist (Brian Cox) and his extremely dysfunctional family (Jill Clayburgh, Gwyneth Paltrow, Evan Rachel Wood, Joseph Fiennes). Director Ryan Murphy's episodic adaptation -- which may puzzle those unfamiliar with the book -- handles the provocative material with sensitivity, toning down the racier elements. Though some of the situations are, in themselves, morally objectionable (making the film unpalatable for many), the overall tone and resolution have a distinctly moral center. Pervasive rough language and profanity, a couple of discreetly handled same-sex relationships including a disturbing age-inappropriate one, other sexual themes and innuendo, scatological humor, drug use, domestic violence, an irreverent remark, discussion of suicide. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.